KnightWear/Armor

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Armor

Analyze

You analyze the tanned leather pourpoint and sense that the creator has provided the following information:

This pourpoint is part of the interactive KnightWear family and is set up as an armor item with the Lance (traditional knight!) set of characteristics.  KnightWear items have messaging that sometimes incorporate other worn Knightwear items and specific types of footwear into the messaging.  Some messaging also differs when mounted on a Rumor Woods-style horse.  You sense that the pourpoint currently includes the base verbs (Verb Set 1).  You can try to: WEAR, REMOVE, RUB, and TAP the pourpoint.  Note: you can only wear 1 per "type" of KnightWear at a time (i.e. you can wear 1 KnightWear belt and 1 Knightwear surcoat at the same time, but you cannot wear 2 KnightWear belts at the same time).

  ~~ KNIGHTWEAR ALTERATION INFO ~~~
The tanned leather pourpoint may be altered within guidelines for its item type.

Optional: specify how your armor is assembled: "pieces" or "parts", more generic methods like "straps and buckles" or simply just "straps", etc.  The default is no particular method.  It is currently not set.

OTS/Tier 1

Usage

Verb Flavor First Third
REMOVE Gaston You adopt a disdainful attitude at the very idea of seeing to your own gear -- but proceed anyway, unfastening its necessary straps and buckles devil-may-care fashion until -- at last! -- you are completely free of the armor. Like she is too good for such a task, Vanah disdainfully removes her brigandine armor from her person, unfastening its necessary straps and buckles devil-may-care fashion until -- at last! -- she is completely free of the armor.
Lance Like shedding a second skin, you adeptly remove your brigandine armor from your person, unfastening its necessary straps and buckles organized fashion until -- at last! -- you are completely free of the armor. Like shedding a second skin, Vanah adeptly removes her brigandine armor from her person, unfastening its necessary straps and buckles organized fashion until -- at last! -- she is completely free of the armor.
Monty Like someone not comfortable in their own skin, you fumblingly remove your brigandine armor from your person, unfastening its necessary straps and buckles a systematic order of your own devising until -- at last! -- you are completely free of the armor. Like someone not comfortable in their own skin, Vanah fumblingly removes her brigandine armor from her person, unfastening its necessary straps and buckles an incomprehensible order until -- at last! -- she is completely free of the armor.
RUB All You run a hand over your brigandine armor, checking for any weak points while simultaneously admiring the shine of its metal. Vanah runs a hand over her brigandine armor, checking for any weak points while simultaneously admiring the shine of its metal.
TAP Gaston You repeatedly stomp down hard with your leather boots and boldly beat one of your gauntlets against the rings of your blued jazerant hauberk, making a muted, metallic clinking sound as you gesture for others to applaud and cheer you on. Kaikala repeatedly stomps down hard with her leather boots and boldly beats one of her gauntlets against the rings of her blued jazerant hauberk, making a muted, metallic clinking sound as she gestures for others to applauds and cheers her on.
Lance You repeatedly stomp down hard with your leather boots and beat one of your gauntlets against the sides of your full leather, making a dull but steady sound, like the beating of a drum, as you gesture for others to join you. Kaikala repeatedly stomps down hard with her leather boots and beats one of her gauntlets against the sides of her full leather, making a dull but steady sound, like the beating of a drum, as she gestures for others to join her.
Monty You repeatedly stomp down hard with your leather boots and flailingly beat one of your gauntlets against the metal of your grey ora field plate, making a loud, clanking racket as you gesture for others to join you. Kaikala repeatedly stomps down hard with her leather boots and flailingly beats one of her gauntlets against the metal of her grey ora field plate, making a loud, clanking racket as she gestures for others to join her.
WEAR Gaston You casually, almost carelessly, remove your jousting gear and temporarily set it aside. Then, exuding exasperation at having to perform the task of donning your own blued jazerant hauberk, you efficiently secure it into position and ensure its defensive capabilities are intact. You then expertly reaseamble and wear your set-aside gear. Casually, almost carelessly, Kaikala removes her jousting gear and temporarily sets it aside. Then, exuding exasperation and a put-upon attitude as she dons her blued jazerant hauberk, Kaikala nevertheless efficiently secures it into position and thoroughly inspects it. Kaikala then expertly reassembles and wears her set-aside gear.
Lance You deftly remove your jousting gear and temporarily set it aside. Then, exuding the ease and confidence of practiced skill as you don your full leather, you adroitly secure its straps and buckles into position and ensure its defensive capabilities are intact. You then quickly reassemble and wear your set-aside gear. Kaikala deftly removes her jousting gear and temporarily sets it aside. Then, exuding the ease and confidence of practiced skill as she dons her full leather, Kaikala adroitly secures its straps and buckles into position and thoroughly inspects it. Kaikala then quickly reassembles and wears her set-aside gear.
Monty You slough off your jousting gear and temporarily set it aside. Then, with careful, measured movements that belie a fear of bungling it all up as you don your grey ora field plate, you fumble with and then finally secure it into position and ensure its defensive capabilities are intact. You then painstakingly reassemble and wear your set-aside gear. Kaikala sloughs off her jousting gear and temporarily sets it aside. Then, with careful, measured movements that belie a fear of bungling it all up as she dons her grey ora field plate, Kaikala fumbles with and then finally secures it into position and thoroughly inspects it. Kaikala then painstakingly reassembles and wears her set-aside gear.

Verb Set 2

Usage

Verb Flavor First Third
ATTEND Gaston You reach down across your chest, then over your shoulder, next to one side -- then to the other --, limbering up for the benefit of your competitors and admirers under the guise of adjusting your blued jazerant hauberk. Kaikala reaches down across her chest, then over her shoulder, next to one side -- then to the other --, making a comical spectacle of herself while adjusting her blued jazerant hauberk.
Lance You reach down across your chest, then over your shoulder, next to one side -- then to the other -- in order to make a handful of adjustments to your full leather. Ahh, much better! Kaikala reaches down across her chest, then over her shoulder, next to one side -- then to the other -- in order to make a handful of adjustments to her full leather.
Monty
(random poke/smack target)
You make adjustments to your grey ora field plate on one shoulder, but as you reach across to the opposite shoulder, you accidentally poke yourself in the eye! Ouch, that hurt! You shake off the pain, then more carefully finish your armor manipulations. Kaikala makes adjustments to her grey ora field plate on one shoulder, but as she reaches across to the opposite shoulder, she accidentally pokes herself in the eye! She gives herself a little shake, then more carefully finishes her armor manipulations.
NUDGE Gaston You thrust one hip out to the side and place the hand opposite it on your thigh, casually resting it against your brigandine armor, as you strike a saucily heroic pose atop your ebon filly and show off the a jousting knight design on your silk surcoat. Vanah thrusts one hip out to the side and places the hand opposite it on her thigh, casually resting it against her brigandine armor, as she strikes a saucily heroic pose atop a tall ebon filly and shows off the a jousting knight design on her silk surcoat.
Lance You thrust one hip out to the side and place the hand opposite it on your thigh, casually resting it against your brigandine armor, as you strike a knightly pose and show off the a jousting knight design on your silk surcoat. Vanah thrusts one hip out to the side and places the hand opposite it on her thigh, casually resting it against her brigandine armor, as she strikes a knightly pose and shows off the a jousting knight design on her silk surcoat.
Monty You thrust one hip out to the side and place the hand opposite it on your thigh, casually resting it against your brigandine armor, as you strike a knightly pose. Your hand slips, yanking your surcoat down, your bent pose now embarrassingly lacking in heroic style. Vanah thrusts one hip out to the side and places the hand opposite it on her thigh, casually resting it against her brigandine armor, as she strikes a knightly pose. Her hand slips, yanking her surcoat down, her bent pose now comically lacking in heroic style.
PUSH Gaston Forcing your attention to stay focused, you give yourself a once-over -- you note to yourself that you're looking rather fine --, make slight adjustments to your spurs, mithglin barrel helm, and blued jazerant hauberk, smooth out your surcoat, then start pulling in quick breaths of air, hoping to psych yourself up. Kaikala gives herself a self-admiring once-over, makes slight adjustments to her spurs, mithglin barrel helm, and blued jazerant hauberk, smooths out her surcoat, then starts pulling in quick breaths of air, as if attempting to psych herself up.
Lance Forcing your attention to stay focused, you give yourself a once-over, make slight adjustments to your spurs, mithglin barrel helm, and the straps and buckles on your full leather, smooth out your surcoat, then pull in a meditative, calming breath. Kaikala gives herself a once-over, makes slight adjustments to her spurs, mithglin barrel helm, and the straps and buckles on her full leather, smooths out her surcoat, then pulls in a meditative, calming breath.
Monty Forcing your attention to stay focused, you give yourself a once-over, make slight adjustments to your spurs, mithglin barrel helm, and grey ora field plate, attempt smoothing out your surcoat -- to no avail! --, then start coughing and choking in the midst of what was meant to be a meditative, calming breath. Kaikala gives herself a once-over, makes slight adjustments to her spurs, mithglin barrel helm, and grey ora field plate, attempts smoothing out her surcoat -- to no avail! --, then starts coughing and choking in the midst of what had seemingly started out as a meditative, calming breath.
TURN Gaston Cursorily checking that your brigandine armor is well-fitted, you first turn one way atop your ebon filly and pose in the vein of a gallant knight, then turn in the opposite direction, now posing in more splendid, spirited fashion. You determine that the armor's fit is perfect, just like you! With her attention sporadically trained on her brigandine armor, Vanah turns one way atop her ebon filly and poses in the vein of a gallant knight, then turns in the opposite direction and poses in more splendid and spirited fashion.
Lance You turn one way, then the other, concentrating on testing how well you can move with the current fit of your brigandine armor. It seems perfectly fine! Vanah turns one way, then the other, clearly testing some aspect of her movement in conjunction with her brigandine armor.
Lance, mounted You turn one way atop your ebon filly, then the other, concentrating on testing how well you can move with the current fit of your brigandine armor while mounted. It seems perfectly fine! Vanah turns one way atop her ebon filly, then the other, clearly testing some aspect of her movement while mounted in conjunction with her brigandine armor.
Monty You turn one way, then the other, flailing your arms out to either side as you trip over your own feet while testing how well you can move with the current fit of your brigandine armor. Vanah turns one way, then the other, flailing her arms out to either side as she trips over her own feet while clearly testing some aspect of moving around in her brigandine armor.
Monty, mounted You turn one way, then the other, flailing your arms out to either side as you struggle to remain atop your ebon filly while testing how well you can move while mounted with the current fit of your brigandine armor. Vanah turns one way, then the other, flailing her arms out to either side as she struggles to remain atop her ebon filly while clearly testing some aspect of moving around in her brigandine armor while mounted.

Verb Set 3

Usage

Verb Flavor First Third
FIDGET Gaston Moving with uncanny grace and rhythm in your brigandine armor, you swing your hips from side to side you urge your ebon filly takes a few steps (forward/toward target). Moving with uncanny grace and rhythm in your brigandine armor, Vanah swings her hips from side to side as her ebon filly takes a few steps forward.
Lance Moving lithely in your brigandine armor, your hips subtly shift back and forth as you confidently stride (forward/toward target) your silver spurs jingle-jangling with each step. Moving lithely in her brigandine armor, Vanah's hips subtly shift back and forth as she confidently strides forward.
Lance, mounted Moving lithely in your brigandine armor, your hips subtly shift back and forth as your ebon filly take a few steps (forward/toward target). Moving lithely in her brigandine armor, Vanah's hips subtly shift back and forth as her ebon filly takes a few steps forward.
Monty Moving with great self-conscious discomfort in your brigandine armor, you jerkily shimmy your hips from side to side as your ebon filly takes a few steps forward. Moving in her brigandine armor with greatly obvious unease, Vanah jerkily shimmies her hips from side to side as her ebon filly takes a few steps forward.
GRIN Gaston You give yourself a once-over, quietly surveying the quality of your armor, the cut of your surcoat, and the craftsmanship of your spurs. You then glance back up, and having concluded that you are well-prepared, your expression melts into a fearlessly cocky set. Vanah gives herself an obvious once-over, her attention lingering on her armor, surcoat, and spurs. She then glances back up, and in a clear conclusion to a self-assessment, her expression melts into a fearlessly cocky set.
Gaston, targeted You give yourself a once-over, quietly surveying the quality of your armor, the cut of your surcoat, and the craftsmanship of your spurs. You then glance over at Target, sizing her up. As you reach your comparative conclusion, your expression melts into a fearlessly cocky set. Vanah gives herself an obvious once-over, her attention lingering on her armor, surcoat, and spurs. She then glances over at you, clearly sizing you up, and her expression melts into a fearlessly cocky set.
Lance You give yourself a once-over, quietly surveying the quality of your armor. You then glance back up, and having concluded that you are well-prepared, your expression melts into a positive, emboldened set. Vanah gives herself an obvious once-over, her attention lingering on her armor. She then glances back up, and in a clear conclusion to a self-assessment, her expression melts into a positive, emboldened set.
Lance, targeted You give yourself a once-over, quietly surveying the quality of your armor. You then glance back up, and having concluded that you are well-prepared, your expression melts into a positive, emboldened set. Vanah gives herself an obvious once-over, her attention lingering on her armor, surcoat, and spurs. She then glances over at you, clearly sizing you up, and her expression melts into a positive, emboldened set.
Monty <You give yourself a once-over, quietly surveying the quality of your armor, the cut of your surcoat, and the craftsmanship of your spurs. You then glance back up, and having concluded that even in your preparedeness you may not measure up, your expression falters. Working to quash your insecurities, you focus on happier thoughts.. Vanah gives herself an obvious once-over, her attention lingering on her armor, surcoat, and spurs. She then glances back up, and in a clear conclusion to a self-assessment, her expression falters, flickering from worry to fear before she seems to attempt to put on a brave face.
Monty, Target You give yourself a once-over, quietly surveying the quality of your armor, the cut of your surcoat, and the craftsmanship of your spurs. You then glance over at Target, sizing her up. As you reach your comparative conclusion, your expression falters. Working to quash your insecurities, you focus on happier thoughts.. Vanah gives herself an obvious once-over, her attention lingering on her armor, surcoat, and spurs. She then glances over at you, clearly sizing you up, and her expression falters, flickering from worry to fear before she seems to attempt to put on a brave face.
RAISE Gaston, Targeted You pound your fist against your brigandine armor, just over your heart, before raising an open hand into the air in Target's direction, selflessly offering to allow him to devote himself to you. Vanah pounds her fist against her chest, just over her heart, before raising an open hand into the air in your direction. Given the general antics around her gestures, Vanah seems to be pleading for you to devote yourself to her.
Lance You pound your fist against your brigandine armor, just over your heart, before raising an open hand into the air. Vanah pounds her fist against her brigandine armor, just over her heart, before raising an open hand into the air.
Monty You pound your fist against your brigandine armor, just over your heart, before flailing an open hand into the air in Target's direction in a declaration of devotion. Vanah pounds her fist against her brigandine armor, just over her heart, before flailing an open hand into the air in your direction in what seems to be a declaration of devotion.
SPIN Gaston With a subtle swoosh of air against the plates of your brigandine armor, you nimbly swivel halfway around and slink down into a low, battle-ready crouch worthy of great approbation. With a subtle swoosh of air against the plates of her brigandine armor, Vanah nimbly swivels halfway around and slinks down into a low, battle-ready crouch. She glances around expectantly.
Lance, standing With a subtle swoosh of air against the plates of your brigandine armor, you spin halfway around and drop into a low, battle-ready crouch. With a subtle swoosh of air against the plates of her brigandine armor, Vanah spins halfway around and drops into a low, battle-ready crouch.
Monty With a subtle swoosh of air against the plates of your brigandine armor, you spring forward but lose your footing, spinning partway around before firmly planting your feet and dropping into a low, battle-ready crouch. With a subtle swoosh of air against the plates of her brigandine armor, Vanah springs forward but loses her footing, spinning partway around before firmly planting her feet and dropping into a low, battle-ready crouch.