Peretta gown

Peretta gowns are heavily scripted gowns.

Analyze

The creator has also provided the following information:
A ballgown composed of graduated grey hue and length layers cannot be detailed to indicate that it is anything but long.  It cannot be altered to indicate that the lower portion of the garment (below the knees) is tight-fitting in any way; the upper portion can be, but not the lower.

The a ballgown composed of graduated grey hue and length layers can be customized in the following manner, where any talented merchant can customize the bolded sections.  Note that customizations cannot use speech:

Verb Traps

STAND (when standing)	Off-the-Shelf	FIRST: Standing primly you fluff the fabric of your gown out until it drapes down in a perfectly smooth and unblemished fashion. THIRD: Standing primly, XXX fluffs the fabric of her gown out until it drapes down in a perfectly smooth and unblemished fashion.
STAND (when sitting)		FIRST: With your own practiced grace, you rise, momentarily holding the fabric of your gown up until you feel the ground firmly under your feet. (3 Sec RT) THIRD: XXX rises, momentarily holding the fabric of her gown up until her feet are firmly planted underneath her.
RUB		FIRST: You slide the fabric of your gown through your fingers, smiling to yourself as you let your mind drift. THIRD: Smiling to herself, XXX slides the fabric of her gown through her fingers.
PUSH		FIRST: You push your hands down against your gown in an elegant gesture. THIRD: XXX pushes her hands down against her gown in an elegant gesture.
TURN (when standing)		FIRST: You turn slowly, flipping the lower portion of your gown out so that it swirls with you. As you complete the revolution, you smile ever-so-slightly. THIRD: XXX turns slowly, flipping the lower portion of her gown out so that it swirls with her. As she completes the revolution, she smiles ever-so-slightly.
TURN (when sitting)		FIRST: As you turn your body, you feel the fabric of your gown stretch slightly. You rise up slightly and give the fabric a slight tug so that it can move freely. THIRD: XXX turns her body slightly, then gives the fabric of her gown a slight tug, pulling it from under her so that it can move more freely.
SIT (when standing)		FIRST: Careful to arrange the fabric of a gown of raspberry red gauze arrayed over smoke grey satin around you like petals surrounding a blossom, you sit. THIRD: Careful to arrange the fabric of a gown of raspberry red gauze arrayed over smoke grey satin around her like petals surrounding a blossom, XXX sits.
SIT (when sitting)		FIRST: You bring your knees up to your chest and pull the fabric of a gown of raspberry red gauze arrayed over smoke grey satin down over your legs. With a pert smile, you relax back into your sitting position. THIRD: XXX brings her knees up to her chest and pulls the fabric of a gown of raspberry red gauze arrayed over smoke grey satin down over her legs. Nihrvanah smiles pertly as she visibly relaxes back into her sitting position.
PULL (when standing)		FIRST: You pull the lower portion of a gown of raspberry red gauze arrayed over smoke grey satin up slightly, displaying your legs. With a great deal of gumption, you move your feet in an intricate dance that leaves you breathless. As you finish, your fingers release the gown's fabric. THIRD: XXX pulls the lower portion of a gown of raspberry red gauze arrayed over smoke grey satin up slightly, displaying her legs. She then moves her feet in an intricate dance that seems to leave her breathless.
PULL (when sitting)		FIRST: You tug at the fabric of a gown of raspberry red gauze arrayed over smoke grey satin, rearranging it around you in a showy display. THIRD: Nihrvanah tugs at the fabric of a gown of raspberry red gauze arrayed over smoke grey satin, rearranging it around her in a showy display.
CURTSY (when standing)		FIRST: You dip your body, pulling the lower portion of a gown of raspberry red gauze arrayed over smoke grey satin out to either side of you so that the fabric drapes down like a gentle mist around your feet. As you complete the formal curtsy you rise to your feet. THIRD: XXX dips her body, pulling the lower portion of a gown of raspberry red gauze arrayed over smoke grey satin out to either side of her so that the fabric drapes down like a gentle mist around her feet. As XXX completes the formal curtsy, she rises to her feet.
CURTSY (when sitting)		FIRST: In the scope of your current pose, you execute a strange and awkward curtsy. Upon completion, you bury your face in the fabric of a gown of raspberry red gauze arrayed over smoke grey satin in an attempt to hide your expression. THIRD: XXX executes a strange and awkward curtsy from her current position. Upon completion, she buries her face in the fabric of a gown of raspberry red gauze arrayed over smoke grey satin, which conceals her expression.
SMELL (when worn, standing)		FIRST: You brush your fingers over a gown of raspberry red gauze arrayed over smoke grey satin and let your hands come to rest on your hips. Posed with arms akimbo, you tilt your head so that your nose is angled upward. THIRD: XXX brushes her fingers over a gown of raspberry red gauze arrayed over smoke grey satin and lets her hands come to rest on her hips. Posed with arms akimbo, XXX then sticks her nose in the air.
SMELL (when worn, sitting)		FIRST: Folding your arms in your lap, with your hands brushing up against a gown of raspberry red gauze arrayed over smoke grey satin, you give a haughty sniff. THIRD: Folding her arms in her lap, XXX gives a haughty sniff.
SMELL (when not worn)		FIRST: (SMELL) Holding a gown of raspberry red gauze arrayed over smoke grey satin up to your face, you inhale deeply, and the scent of spring roses fills your senses. Holding a gown of raspberry red gauze arrayed over smoke grey satin up to her face, XXX inhales deeply.

BOLDED items can be customized as part of an alteration and are up to the merchant's discretion.

See also

• Metallic gown
• Nalea gown
• Valinda gown
• Vanishing Point

This article is a Stub. You can help GSWiki by expanding it.