Peretta gown
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Peretta gowns are heavily scripted gowns.
Analyze
The creator has also provided the following information: A ballgown composed of graduated grey hue and length layers cannot be detailed to indicate that it is anything but long. It cannot be altered to indicate that the lower portion of the garment (below the knees) is tight-fitting in any way; the upper portion can be, but not the lower. The a ballgown composed of graduated grey hue and length layers can be customized in the following manner, where any talented merchant can customize the bolded sections. Note that customizations cannot use speech:
Verb Traps
Worn
| STAND (standing) | Off-the-Shelf Tier 1 |
FIRST: Standing primly you fluff the fabric of your gown out until it drapes down in a perfectly smooth and unblemished fashion. THIRD: Standing primly, XXX fluffs the fabric of her gown out until it drapes down in a perfectly smooth and unblemished fashion. |
| STAND (sitting/kneeling/laying) | FIRST: With your own practiced grace, you rise, momentarily holding the fabric of your gown up until you feel the ground firmly under your feet. THIRD: XXX rises, momentarily holding the fabric of her gown up until her feet are firmly planted underneath her. | |
| RUB | FIRST: You slide the fabric of your gown through your fingers, smiling to yourself as you let your mind drift. THIRD: Smiling to herself, XXX slides the fabric of her gown through her fingers. | |
| PUSH | FIRST: You push your hands down against your gown in an elegant gesture. THIRD: XXX pushes her hands down against her gown in an elegant gesture. | |
| TURN (standing) | FIRST: You turn slowly, flipping the lower portion of your gown out so that it swirls with you. As you complete the revolution, you smile ever-so-slightly. THIRD: XXX turns slowly, flipping the lower portion of her gown out so that it swirls with her. As she completes the revolution, she smiles ever-so-slightly. | |
| TURN (sitting/kneeling/laying) | FIRST: As you turn your body, you feel the fabric of your gown stretch slightly. You rise up slightly and give the fabric a slight tug so that it can move freely. THIRD: XXX turns her body slightly, then gives the fabric of her gown a slight tug, pulling it from under her so that it can move more freely. | |
| SIT (standing/kneeling/laying) | Tier 2 | FIRST: Careful to arrange the fabric of a gown of raspberry red gauze arrayed over smoke grey satin around you like petals surrounding a blossom, you sit. THIRD: Careful to arrange the fabric of a gown of raspberry red gauze arrayed over smoke grey satin around her like petals surrounding a blossom, XXX sits. |
| SIT (sitting) | FIRST: You bring your knees up to your chest and pull the fabric of a gown of raspberry red gauze arrayed over smoke grey satin down over your legs. With a pert smile, you relax back into your sitting position. THIRD: XXX brings her knees up to her chest and pulls the fabric of a gown of raspberry red gauze arrayed over smoke grey satin down over her legs. Nihrvanah smiles pertly as she visibly relaxes back into her sitting position. | |
| PULL (standing) | FIRST: You pull the lower portion of a gown of raspberry red gauze arrayed over smoke grey satin up slightly, displaying your legs. With a great deal of gumption, you move your feet in an intricate dance that leaves you breathless. As you finish, your fingers release the gown's fabric. THIRD: XXX pulls the lower portion of a gown of raspberry red gauze arrayed over smoke grey satin up slightly, displaying her legs. She then moves her feet in an intricate dance that seems to leave her breathless. | |
| PULL (sitting/kneeling/laying) | FIRST: You tug at the fabric of a gown of raspberry red gauze arrayed over smoke grey satin, rearranging it around you in a showy display. THIRD: Nihrvanah tugs at the fabric of a gown of raspberry red gauze arrayed over smoke grey satin, rearranging it around her in a showy display. | |
| CURTSY (standing) | FIRST: You dip your body, pulling the lower portion of a gown of raspberry red gauze arrayed over smoke grey satin out to either side of you so that the fabric drapes down like a gentle mist around your feet. As you complete the formal curtsy you rise to your feet. THIRD: XXX dips her body, pulling the lower portion of a gown of raspberry red gauze arrayed over smoke grey satin out to either side of her so that the fabric drapes down like a gentle mist around her feet. As XXX completes the formal curtsy, she rises to her feet. | |
| CURTSY (sitting/kneeling/laying) | FIRST: In the scope of your current pose, you execute a strange and awkward curtsy. Upon completion, you bury your face in the fabric of a gown of raspberry red gauze arrayed over smoke grey satin in an attempt to hide your expression. THIRD: XXX executes a strange and awkward curtsy from her current position. Upon completion, she buries her face in the fabric of a gown of raspberry red gauze arrayed over smoke grey satin, which conceals her expression. | |
| SMELL (worn, standing) | FIRST: You brush your fingers over a gown of raspberry red gauze arrayed over smoke grey satin and let your hands come to rest on your hips. Posed with arms akimbo, you tilt your head so that your nose is angled upward. THIRD: XXX brushes her fingers over a gown of raspberry red gauze arrayed over smoke grey satin and lets her hands come to rest on her hips. Posed with arms akimbo, XXX then sticks her nose in the air. | |
| SMELL (worn, sitting) | FIRST: Folding your arms in your lap, with your hands brushing up against a gown of raspberry red gauze arrayed over smoke grey satin, you give a haughty sniff. THIRD: Folding her arms in her lap, XXX gives a haughty sniff. | |
| WEAR | Fully Unlocked Tier 3 |
FIRST: You easily slip a white lace gown edged with pearl ropes over your figure and quickly secure any loose clasps and ribbons into place. You smooth your hands down over the fabric until you are certain that the garment looks absolutely perfect. THIRD: XXX slips a white lace gown edged with pearl ropes over her figure and quickly secures it into place. She smooths her hands down over the fabric. |
| REMOVE | FIRST: With steady motions, you unassemble a white lace gown edged with pearl ropes and easily slip it off of your figure. You treat the garment with care, holding it loosely in your hand. THIRD: With steady motions, XXX unassembles a white lace gown edged with pearl ropes and slips it off of her figure. | |
| KNEEL | FIRST: You pull the hem of your gown up and back, then kneel in a reverent manner. THIRD: XXX pulls the hem of her gown up and back, then kneels in a reverent manner. | |
| LIE (standing/sitting/kneeling) | FIRST: Careful not to muss the material of a white lace gown edged with pearl ropes, you lie down. THIRD: Obviously taking care not to muss the material of a white lace gown edged with pearl ropes, XXX lies down. | |
| LIE (laying) | FIRST: You pull your knees up slightly, allowing the material of a white lace gown edged with pearl ropes to encase your feet. With a luxuriant smile, you stretch your arms back and use them as a pillow. THIRD: XXX pulls her knees up slightly, effectively hiding her feet. With a luxuriant smile, XXX stretches her arms back and uses them as a pillow. | |
| WAVE (untargetted) | FIRST: You lean back slightly, fanning your face with your hand as you look down at your gown, your thoughts drifting of their own accord. THIRD: XXX leans back slightly, fanning her face with her hand as she studies a white lace gown edged with pearl ropes. | |
| WAVE (targetted, standing) | FIRST: You grasp the fabric of the skirted portion of a white lace gown edged with pearl ropes and take a single step toward XXX. Smiling brilliantly, you wave your free hand at him. THIRD: XXX grasps the fabric of the skirted portion of a white lace gown edged with pearl ropes and takes a single step toward you. Smiling brilliantly, XXX waves her free hand at you. | |
| WAVE (targetted, sitting/kneeling/laying) | FIRST: Smiling brilliantly at XXX, you immediately rise to your feet, careful not to step on the hem of your gown in your quick movements. You then grasp the fabric of the skirted portion of a white lace gown edged with pearl ropes and wave your free hand at XXX. THIRD: Smiling brilliantly at you, XXX immediately rises to her feet. She grasps the fabric of the skirted portion of a white lace gown edged with pearl ropes and waves her free hand at you. | |
| COVER (standing) | FIRST: Folding your head down against your shoulder and giving a coy wink, you allow the opposite hand to trail up the side of your gown, from just above your knees to just below your shoulder. THIRD: Folding her head down against her shoulder and giving a coy wink, XXX allows her opposite hand to trail up the side of her gown, from just above her knees to just below her shoulder. | |
| COVER (sitting/kneeling/laying) | FIRST: You bend your head into your lap, using the fabric of a white lace gown edged with pearl ropes to cover up your expression. THIRD: XXX bends her head into her lap, and the fabric conceals her expression. | |
| SCOWL (standing) | FIRST: With a huff of frustration, you immediately turn away to look in the opposite direction, the fabric of a white lace gown edged with pearl ropes swishing violently as it moves with you. THIRD: With a huff of frustration, XXX immediately turns away to look in the opposite direction, the fabric of a white lace gown edged with pearl ropes swishing violently as it moves with her. | |
| SCOWL (sitting/kneeling/laying) | FIRST: With a huff of frustration, you cross your arms over your chest. You manage to drag the fabric of a white lace gown edged with pearl ropes along the ground as you turn in the opposite direction. THIRD: With a huff of frustration, XXX crosses her arms over her chest and turns in the opposite direction. | |
| POUT (worn) | FIRST: Your fingers drift down to the skirted portion of a white lace gown edged with pearl ropes and cling tightly to the fabric as your lips curve into a delicate pout. THIRD: XXX's fingers cling tightly to the skirted portion of her gown as her lips curve into a delicate pout. | |
| HUG (standing) | FIRST: You drape your arms across your chest and brush them down over a white lace gown edged with pearl ropes and then out to your sides in a conservatively dismissive motion. THIRD: XXX drapes her arms across her chest and brushes them down over a white lace gown edged with pearl ropes, then out to her sides in a conservatively dismissive motion. | |
| HUG (sitting/kneeling/laying) | FIRST: You bunch the fabric of a white lace gown edged with pearl ropes up toward you, literally embracing the material glory of the garment. THIRD: XXX bunches the fabric of a white lace gown edged with pearl ropes up toward herself, holding the material in a close embrace. | |
| TILT (standing) | FIRST: Grasping the fabric of a white lace gown edged with pearl ropes in your hands, you raise the hem slightly, sweeping it up first to one side, then to the other, as you dance in place. THIRD: Grasping the fabric of a white lace gown edged with pearl ropes in her hands, XXX raises the hem slightly, sweeping it up first to one side, then to the other, as she dances in place. | |
| TILT (sitting/kneeling/laying) | FIRST: Grasping the fabric of a white lace gown edged with pearl ropes in your hands, you sweep the majority of the skirted material out behind you. THIRD: Grasping the fabric of a white lace gown edged with pearl ropes in her hands, XXX sweeps the majority of the skirted material out behind her. | |
| PLUCK (worn) | FIRST: You pluck at a white lace gown edged with pearl ropes in a display of nervous energy. THIRD: XXX plucks at a white lace gown edged with pearl ropes in a display of nervous energy. | |
| ROLL (untargetted) | FIRST: Petting your hand against a white lace gown edged with pearl ropes in a flustered movement, you roll your eyes at how ridiculous your current situation is. THIRD: Petting her hand against a white lace gown edged with pearl ropes in a flustered movement, XXX rolls her eyes. | |
| ROLL (targetted) | FIRST: You swirl toward XXX, the skirted portion of a white lace gown edged with pearl ropes twirling with your motion. When you are just in front of him, you extend one hand out in his direction. THIRD: XXX swirls toward you, the skirted portion of a white lace gown edged with pearl ropes twirling with her motion. When she is just in front of you, XXX extends one hand out in your direction. | |
| NUDGE | FIRST: As you fiddle with your gown, an amused expression crosses your features. THIRD: As XXX fiddles with a white lace gown edged with pearl ropes, an amused expression crosses her features. | |
| TAP (worn) | FIRST: You lightly flick your fingernails against the fabric of gown in a gesture that unequivocally expresses your disinterest. THIRD: XXX lightly flicks her fingernails against the fabric of her gown in a gesture that unequivocally expresses her disinterest. | |
| Worn and not worn versions of TAP utilize the same customization wording. | ||
Not Worn
| RUB | Off-the-Shelf Tier 1 |
FIRST: You rub the fabric of your gown, smoothing out the wrinkles and brushing away any imperfections. THIRD: XXX rubs at the fabric of her gown, smoothing it down and brushing away any imperfections. |
| PUSH | FIRST: You suddenly decide that you want to squish your gown down into a small ball of fabric... so you do it! THIRD: XXX suddenly squishes her gown down into a small ball of fabric. | |
| TURN | FIRST: You turn the gown over in your hands, inspecting every detail of the piece. THIRD: XXX turns a white lace gown edged with pearl ropes over in her hands, inspecting it in a detailed manner. | |
| PULL | Tier 2 | FIRST: You pull a white lace gown edged with pearl ropes around your neck, but as soon as you realize how silly you must look, you quickly move it back to your hands. THIRD: XXX pulls a white lace gown edged with pearl ropes around her neck. How silly! She then quickly removes it. |
| CURSTY | FIRST: You fumble about with a white lace gown edged with pearl ropes as you dip down in a quick curtsy. THIRD: XXX fumbles about with a white lace gown edged with pearl ropes as she dips down in a quick curtsy. | |
| SMELL | FIRST: (SMELL) Holding a gown of raspberry red gauze arrayed over smoke grey satin up to your face, you inhale deeply, and the scent of spring roses fills your senses. Holding a gown of raspberry red gauze arrayed over smoke grey satin up to her face, XXX inhales deeply. | |
| WAVE (untargetted) | Fully Unlocked Tier 3 |
FIRST: Holding up a white lace gown edged with pearl ropes, you use the piece as a bulky, make-shift fan and wave it back-and-forth in front of your face. THIRD: Holding up a white lace gown edged with pearl ropes, XXX uses the piece as a bulky, make-shift fan and waves it back-and-forth in front of her face. |
| WAVE (targetted) | FIRST: You wave a white lace gown edged with pearl ropes at XXX in an unconventional come-hither signal. THIRD: XXX waves a white lace gown edged with pearl ropes at you in an unconventional come-hither signal. | |
| COVER | FIRST: You bury your face in the folds of a white lace gown edged with pearl ropes. THIRD: XXX buries her face in the folds of a white lace gown edged with pearl ropes. | |
| SCOWL | FIRST: With a huff of frustration, you ignore your surroundings and focus your attention on a white lace gown edged with pearl ropes. THIRD: With a huff of frustration, XXX suddenly focuses her attention on a white lace gown edged with pearl ropes, clearly attempting to ignore her surroundings. | |
| POUT | FIRST: Examining a white lace gown edged with pearl ropes, you pout as you realize it is just a little bit dirty. You fastidiously pick away several specks of dirt, and when satisfied that your work is done, you nod to yourself. THIRD: XXX fastidiously removes several specks of dirt on her gown, then nods to herself. | |
| HUG | FIRST: You bunch the fabric of a white lace gown edged with pearl ropes up and hold it possessively in a gentle embrace. THIRD: XXX bunches the fabric of a white lace gown edged with pearl ropes up and holds it possessively in a gentle embrace. | |
| TILT | FIRST: You grasp the fabric of a white lace gown edged with pearl ropes loosely in your hands, sweeping the material up so that it does not drag on the ground. THIRD: XXX grasps the fabric of a white lace gown edged with pearl ropes loosely in her hands, sweeping the material up so that it does not drag on the ground. | |
| PLUCK | FIRST: You pluck at a white lace gown edged with pearl ropes, arranging it into a different position in your hands. THIRD: XXX plucks at a white lace gown edged with pearl ropes, arranging it into a different position in her hands. | |
| ROLL (untargetted) | FIRST: You roll a white lace gown edged with pearl ropes into a long drape and swing it to-and-fro. THIRD: XXX rolls a white lace gown edged with pearl ropes into a long drape and swings it to-and-fro. | |
| ROLL (targetted) | FIRST: You roll a white lace gown edged with pearl ropes out into its full length and hold it up to XXX as you consider how it might look on him. THIRD: XXX rolls a white lace gown edged with pearl ropes out into its full length and holds it up to you, a carefully considering expression in her eyes. | |
| TAP | FIRST: You trace your fingers along a white lace gown edged with pearl ropes in a manner that indicates your current disinterest. | |
| Worn and not worn versions of TAP utilize the same customization wording. | ||
BOLDED items can be customized as part of an alteration and are up to the merchant's discretion.
See also
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