Verb:OBSERVE: Difference between revisions
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(Creating the dreaded OBSERVE (verb) article) |
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OBSERVE {self} - Introspectively observe yourself |
OBSERVE {self} - Introspectively observe yourself |
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OBSERVE {target} - Observe a target |
OBSERVE {target} - Observe a target |
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OBSERVE {style} - Observe in a certain style |
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OBSERVE SET [option] - Shows or sets the OBSERVE verb options available. |
OBSERVE SET [option] - Shows or sets the OBSERVE verb options available. |
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Where {style} can be one of the following: |
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AIR DOUBT ENEMY ENVIRONMENT ESCAPE |
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GROUND LIFE QUICK SKY SLOW |
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>verb info observe |
>verb info observe |
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Verb information for verb "OBSERVE": |
Verb information for verb "OBSERVE": |
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'''People targets: |
'''People targets: |
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STANDARD - You take a moment to observe everything you can about (target). |
STANDARD - You take a moment to observe everything you can about (target). |
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FOREST GNOME - You observe (target) carefully, scrutinizing his/her |
FOREST GNOME - You observe (target) carefully, scrutinizing his/her facial |
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movements while he/she speaks. |
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HALF-ELVEN |
HALF-ELVEN |
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FIRST PERSON - You gaze at through shuttered eyes, thinking of long years of |
FIRST PERSON - You gaze at through shuttered eyes, thinking of long years of |
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mistreatment and rejection before you tighten your lips and glance |
mistreatment and rejection before you tighten your lips and glance |
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away. It's a battle for another day. |
away. It's a battle for another day. |
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OTHERS - |
OTHERS - Vanah narrows her eyes and gives you a cold, hard look before |
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tightening her lips and glancing away. |
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Self target: |
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STANDARD |
STANDARD |
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FIRST PERSON - You turn your thoughts inward, observing your opinion on society |
FIRST PERSON - You turn your thoughts inward, observing your opinion on society |
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your place within it. |
and your place within it. |
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OTHERS - A look of introspection flits across |
OTHERS - A look of introspection flits across Vanah's face. |
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FOREST GNOME - You mouth a few words silently while trying to imitate speech |
FOREST GNOME - You mouth a few words silently while trying to imitate speech |
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patterns. |
patterns. |
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HALF-ELVEN - You tighten your lips in a bitter half-smile. |
HALF-ELVEN - You tighten your lips in a bitter half-smile. |
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SYLVAN |
SYLVAN |
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FIRST PERSON - You observe your own condition, expanding your awareness of |
FIRST PERSON - You observe your own condition, expanding your awareness of |
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a part of your environment. |
yourself as a part of your environment. |
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OTHERS - |
OTHERS - Vanah becomes observantly introspective. |
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Object targets: |
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STANDARD - You take a moment to observe everything you can about (target). |
STANDARD - You take a moment to observe everything you can about (target). |
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FOREST |
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HALF-ELVEN - You narrow your eyes as you closely observe (target). |
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Creature targets: |
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STANDARD - You take a moment to observe everything you can about (target). |
STANDARD - You take a moment to observe everything you can about (target). |
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FOREST GNOME - You spend some time observing (target), familiarizing yourself |
FOREST GNOME - You spend some time observing (target), familiarizing yourself |
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FIRST PERSON - As you closely observe (target) you ponder years of rejection and |
FIRST PERSON - As you closely observe (target) you ponder years of rejection and |
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consider taking out all your frustrations on the sorry creature. |
consider taking out all your frustrations on the sorry creature. |
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OTHERS - As |
OTHERS - As Vanah observes (target) she tightens her lips and gets a feral |
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glint in her eyes. |
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No target: |
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STANDARD - You casually observe your surroundings. |
STANDARD - You casually observe your surroundings. |
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FOREST GNOME |
FOREST GNOME |
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OUTSIDE - Crouching low to the ground, you scan your immediate |
OUTSIDE - Crouching low to the ground, you scan your immediate surroundings |
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with a keen eye and a skilled hand. Once convinced there are no |
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environmental traps, you slap your hand against your thigh decisively. |
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INSIDE - With a keen eye, you scan your surroundings and are fairly |
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INSIDE - With a keen eye, you scan your surroundings and are fairly |
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HALF-ELVEN - You narrow your eyes and take in your surroundings as you are |
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overwhelmed with feelings of bitterness. |
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SYLVAN - You observe your surroundings carefully, taking in every last detail. |
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SYLVAN - You observe your surroundings carefully, taking in every last detail. |
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Styles: (Sylvan only) |
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DOUBT |
DOUBT |
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FIRST PERSON - Looking around, you can't help but feel that something is wrong |
FIRST PERSON - Looking around, you can't help but feel that something is wrong |
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surroundings. |
with your surroundings. |
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OTHERS - |
OTHERS - Vanah looks around with concern. |
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ENEMY |
ENEMY |
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FIRST PERSON - You look around, every sense on the alert for possible foes. |
FIRST PERSON - You look around, every sense on the alert for possible foes. |
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OTHERS - |
OTHERS - Vanah surveys her surroundings warily. |
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LIFE |
LIFE |
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FIRST PERSON - You look around, taking note of all the signs of life nearby. |
FIRST PERSON - You look around, taking note of all the signs of life nearby. |
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W\ CREATURES - You look around, and can't help but focus on the creatures nearby. |
W\ CREATURES - You look around, and can't help but focus on the creatures nearby. |
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OTHERS - |
OTHERS - Vanah looks around, a serene expression on her face. |
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W\ CREATURES - |
W\ CREATURES - Vanah looks around, a disturbed expression on her face. |
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QUICK |
QUICK |
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FIRST PERSON - You quickly scan your surroundings, taking keen note of the flora |
FIRST PERSON - You quickly scan your surroundings, taking keen note of the flora |
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fauna in the area. |
and fauna in the area. |
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OTHERS - |
OTHERS - Vanah glances around, her eyes falling briefly on each aspect of |
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surroundings. |
her surroundings. |
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SLOW |
SLOW |
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FIRST PERSON - You observe your surroundings very slowly, not wanting to miss a |
FIRST PERSON - You observe your surroundings very slowly, not wanting to miss a |
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detail. |
single detail. |
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OTHERS - |
OTHERS - Vanah observes her surroundings with an almost excruciating slowness. |
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GROUND |
GROUND |
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OUTSIDE - You observe the ground, searching for tracks. |
OUTSIDE - You observe the ground, searching for tracks. |
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INSIDE - You look up, but are unable to see the sky from in here. |
INSIDE - You look up, but are unable to see the sky from in here. |
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AIR |
AIR |
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FIRST PERSON - You observe every detail of the air, from its scent to its |
FIRST PERSON - You observe every detail of the air, from its scent to its |
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its ambient temperature. |
direction to its ambient temperature. |
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OTHERS - |
OTHERS - Becca pauses in an observational trance. |
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ENVIRONMENT |
ENVIRONMENT |
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FIRST PERSON |
FIRST PERSON |
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IN TOWN - You observe the inherently foreign nature of your environment. |
IN TOWN - You observe the inherently foreign nature of your environment. |
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OTHERS |
OTHERS |
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W/ TREES - |
W/ TREES - Vanah relaxes as she observes her environment. |
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W/O TREES - |
W/O TREES - Vanah observes her environment carefully. |
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IN TOWN - |
IN TOWN - Vanah appears uncomfortable as she observes her environment. |
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ESCAPE |
ESCAPE |
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FIRST PERSON - You look around for possible escape routes. |
FIRST PERSON - You look around for possible escape routes. |
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OTHERS - |
OTHERS - Vanah looks around nervously, ready to bolt. |
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'''NOTE: ONLY first person messaging is listed unless it differs substantially from other versions. Wedding messaging will only work with your spouse, all other targets default to standard messaging. Messaging without an option shown applies to all options. Special scripts and areas may override listed messaging.''' |
'''NOTE: ONLY first person messaging is listed unless it differs substantially from other versions. Wedding messaging will only work with your spouse, all other targets default to standard messaging. Messaging without an option shown applies to all options. Special scripts and areas may override listed messaging.''' |
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Revision as of 11:48, 12 March 2016
The OBSERVE verb allows the character to watchfully check out objects, self and others.
Messaging
- General verb help information
>help observe
Usage:
OBSERVE - Casually observe your surroundings
OBSERVE {self} - Introspectively observe yourself
OBSERVE {target} - Observe a target
OBSERVE {style} - Observe in a certain style
OBSERVE SET [option] - Shows or sets the OBSERVE verb options available.
Where {style} can be one of the following:
AIR DOUBT ENEMY ENVIRONMENT ESCAPE
GROUND LIFE QUICK SKY SLOW
>verb info observe
Verb information for verb "OBSERVE":
People targets:
STANDARD - You take a moment to observe everything you can about (target).
FOREST GNOME - You observe (target) carefully, scrutinizing his/her facial
movements while he/she speaks.
HALF-ELVEN
FIRST PERSON - You gaze at through shuttered eyes, thinking of long years of
mistreatment and rejection before you tighten your lips and glance
away. It's a battle for another day.
OTHERS - Vanah narrows her eyes and gives you a cold, hard look before
tightening her lips and glancing away.
Self target:
STANDARD
FIRST PERSON - You turn your thoughts inward, observing your opinion on society
and your place within it.
OTHERS - A look of introspection flits across Vanah's face.
FOREST GNOME - You mouth a few words silently while trying to imitate speech
patterns.
HALF-ELVEN - You tighten your lips in a bitter half-smile.
SYLVAN
FIRST PERSON - You observe your own condition, expanding your awareness of
yourself as a part of your environment.
OTHERS - Vanah becomes observantly introspective.
Object targets:
STANDARD - You take a moment to observe everything you can about (target).
FOREST GNOME - You pause for a moment and observe (target).
HALF-ELVEN - You narrow your eyes as you closely observe (target).
Creature targets:
STANDARD - You take a moment to observe everything you can about (target).
FOREST GNOME - You spend some time observing (target), familiarizing yourself
with his/her/its unique behavior and qualities.
HALF-ELVEN
FIRST PERSON - As you closely observe (target) you ponder years of rejection and
consider taking out all your frustrations on the sorry creature.
OTHERS - As Vanah observes (target) she tightens her lips and gets a feral
glint in her eyes.
No target:
STANDARD - You casually observe your surroundings.
FOREST GNOME
OUTSIDE - Crouching low to the ground, you scan your immediate surroundings
with a keen eye and a skilled hand. Once convinced there are no
environmental traps, you slap your hand against your thigh decisively.
INSIDE - With a keen eye, you scan your surroundings and are fairly
convinced that there are no environmental traps nearby.
HALF-ELVEN - You narrow your eyes and take in your surroundings as you are
overwhelmed with feelings of bitterness.
SYLVAN - You observe your surroundings carefully, taking in every last detail.
Styles: (Sylvan only)
DOUBT
FIRST PERSON - Looking around, you can't help but feel that something is wrong
with your surroundings.
OTHERS - Vanah looks around with concern.
ENEMY
FIRST PERSON - You look around, every sense on the alert for possible foes.
OTHERS - Vanah surveys her surroundings warily.
LIFE
FIRST PERSON - You look around, taking note of all the signs of life nearby.
W\ CREATURES - You look around, and can't help but focus on the creatures nearby.
OTHERS - Vanah looks around, a serene expression on her face.
W\ CREATURES - Vanah looks around, a disturbed expression on her face.
QUICK
FIRST PERSON - You quickly scan your surroundings, taking keen note of the flora
and fauna in the area.
OTHERS - Vanah glances around, her eyes falling briefly on each aspect of
her surroundings.
SLOW
FIRST PERSON - You observe your surroundings very slowly, not wanting to miss a
single detail.
OTHERS - Vanah observes her surroundings with an almost excruciating slowness.
GROUND
OUTSIDE - You observe the ground, searching for tracks.
INSIDE - You examine the ground in a futile search for tracks.
SKY
DAYTIME - You look up at the sky, taking note of the position of the sun.
NIGHTTIME - Your eyes scan the heavens, reading stories in the stars.
INSIDE - You look up, but are unable to see the sky from in here.
AIR
FIRST PERSON - You observe every detail of the air, from its scent to its
direction to its ambient temperature.
OTHERS - Becca pauses in an observational trance.
ENVIRONMENT
FIRST PERSON
W/ TREES - You observe the comfortingly natural feel of your environment.
W/O TREES - You observe the details of your environment and do your best to adapt.
IN TOWN - You observe the inherently foreign nature of your environment.
OTHERS
W/ TREES - Vanah relaxes as she observes her environment.
W/O TREES - Vanah observes her environment carefully.
IN TOWN - Vanah appears uncomfortable as she observes her environment.
ESCAPE
FIRST PERSON - You look around for possible escape routes.
OTHERS - Vanah looks around nervously, ready to bolt.
NOTE: ONLY first person messaging is listed unless it differs substantially from other versions. Wedding messaging will only work with your spouse, all other targets default to standard messaging. Messaging without an option shown applies to all options. Special scripts and areas may override listed messaging.
- Sample OBSERVE output
>observe You casually observe your surroundings. >observe ts You turn your thoughts inward, observing your opinion on society and your place within it. >observe sign You take a moment to observe everything you can about an embroidered sign.