BVShop:Written Word
Current Shop Listing
Note: This shop was retired after the August 2021 Duskruin run.
a small shop with a book-shaped sign, Room 2, Lich# 25188, go small shop
The Written Word
| [The Written Word - 25188] | |
| Wave-edged, light maple frames decorate the sides of a carved ebony bookcase displaying a variety of writing utensils and other sundry items. A bookish elven clerk works tirelessly behind a dark maple counter, pulling sheafs of paper and covers from a cloth-lined chest. Occasionally, bits of torn paper float lazily through the air and land on the floor. | |
| Obvious exits: out | |
On the counter you see:
Special [1]: a simple book binding press
Misc [2]: a neatly lettered note, a small printed placarda neatly lettered note
I, Qaril, can create a custom journal for you. You need only to select a cover and a sheaf of pages from the bookcase. (Each completed volume will have fifty pages.) I can make five types of books (book, notebook, journal, volume, and folio), so be sure to ASK me about the one you are most interested in. Please note that only I can bind these papers into a cover. If you buy some, make sure I fix it up for you. If you leave Bloodriven Village before I've worked with them, they will be useless.a small printed placard
Some obscure details about my wares: Be aware when writing that the spoken and written word are closely linked. You must have a quill to write, but it need not be a quill purchased here. Inkpots are not necessary, as the pages have a magical element to them. You may erase what you've written by CLEANing the page. You may TEAR the page to *permanently* remove it from the book. PUSH, TURN, and FLIP will allow you to work with the individual pages.In the cloth-lined chest you see: a sheaf of dark floral vellum, a jewel-inset rose gold suede cover, a sinew-bound black suede cover, a demon-branded greyed leather cover, a fang-strung pale snakeskin cover, a talon-clasped sable velvet cover, a thorn-tooled emerald leather cover, an obsidian rose jacquard cover, a branch-inked pale silk cover, a scarab-inset ashen nubuck cover, an aged leather compass-clasped cover, a slim burgundy leather cover, a sheaf of cat-edged paper, a sheaf of paw-inked paper, a sheaf of faded paper, a sheaf of lily white parchment, a sheaf of marbled vellum, a sheaf of silvered vellum, a sheaf of burnt vellum, a sheaf of bloodied parchment, a sheaf of sepia parchment and a sheaf of grid-lined parchment.
a sheaf of dark floral vellum Weight: <1 pound
The vellum is meant to be used in conjunction with a cover to create a book.
Examine:
The floral vellum is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 a jewel-inset rose gold suede cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The rose gold suede cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 a sinew-bound black suede cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The black suede cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 a demon-branded greyed leather cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The greyed leather cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 a fang-strung pale snakeskin cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The pale snakeskin cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 a talon-clasped sable velvet cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The sable velvet cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 a thorn-tooled emerald leather cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The emerald leather cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 an obsidian rose jacquard cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The rose jacquard cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 a branch-inked pale silk cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The pale silk cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 a scarab-inset ashen nubuck cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The ashen nubuck cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 an aged leather compass-clasped cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The compass-clasped cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 a slim burgundy leather cover Weight: <1 pound
This cover is meant to be used in conjuction with a sheaf of paper in order to create a book.
Examine:
The leather cover is actually a pair of matching pieces, each a little longer and wider than standard writing paper, with a flap along one long edge to be used in the binding process.50 a sheaf of cat-edged paper Weight: <1 pound
The paper is meant to be used in conjunction with a cover to create a book.
Examine:
The cat-edged paper is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 a sheaf of paw-inked paper Weight: <1 pound
The paper is meant to be used in conjunction with a cover to create a book.
Examine:
The paw-inked paper is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 a sheaf of faded paper Weight: <1 pound
The paper is meant to be used in conjunction with a cover to create a book.
Examine:
The faded paper is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 a sheaf of lily white parchment Weight: <1 pound
The parchment is meant to be used in conjunction with a cover to create a book.
Examine:
The lily white parchment is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 a sheaf of marbled vellum Weight: <1 pound
The vellum is meant to be used in conjunction with a cover to create a book.
Examine:
The marbled vellum is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 a sheaf of silvered vellum Weight: <1 pound
The vellum is meant to be used in conjunction with a cover to create a book.
Examine:
The silvered vellum is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 a sheaf of burnt vellum Weight: <1 pound
The vellum is meant to be used in conjunction with a cover to create a book.
Examine:
The burnt vellum is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 a sheaf of bloodied parchment Weight: <1 pound
The parchment is meant to be used in conjunction with a cover to create a book.
Examine:
The bloodied parchment is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 a sheaf of sepia parchment Weight: <1 pound
The parchment is meant to be used in conjunction with a cover to create a book.
Examine:
The sepia parchment is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 a sheaf of grid-lined parchment Weight: <1 pound
The parchment is meant to be used in conjunction with a cover to create a book.
Examine:
The grid-lined parchment is firmly tied with a bit of ribbon and looks as if it is meant to be bound into a book of some kind.750 On the ebony bookcase you see: a kelp-twined osprey feather quill, an ink-stained ashen feather quill, a flora-tied ivory feather quill, a slightly torn aged parchment bookmark, a leaf-pressed ecru vellum bookmark, a glass-beaded pastel silk bookmark, a map-branded tan leather bookmark, a glossed crow feather quill, a gilt-banded eagle feather quill and an onyx-dipped swan feather quill.
a kelp-twined osprey feather quill Weight: <1 pound pin-worn Wearable Quill 5 an ink-stained ashen feather quill Weight: <1 pound pin-worn Wearable Quill 5 a flora-tied ivory feather quill Weight: <1 pound pin-worn Wearable Quill 5 a slightly torn aged parchment bookmark Weight: <1 pound 1 a leaf-pressed ecru vellum bookmark Weight: <1 pound 1 a glass-beaded pastel silk bookmark Weight: <1 pound 1 a map-branded tan leather bookmark Weight: <1 pound 1 a glossed crow feather quill Weight: <1 pound pin-worn Wearable Quill 5 a gilt-banded eagle feather quill Weight: <1 pound pin-worn Wearable Quill 5 an onyx-dipped swan feather quill Weight: <1 pound pin-worn Wearable Quill 5