Ysaeril (prime)/Letters

Concerning the death of Kasendra Malwind, 5123 Letter to the Lord Seneschal of House Illistim dated 04/04/5123 This is a creative work set in the world of Elanthia, attributed to its original author(s). It does not necessarily represent the official lore of GemStone IV. Title: Letter to the Lord Seneschal of House Illistim dated 04/04/5123 Author: Ysaeril (prime) ...Sent with the morning post out of Ta'Illistim... 4 Olaesta, 5123 Lord Seneschal, As a loyal subject of the Argent Mirror, I write to you regarding the recent tragedy of Kasendra Malwind's still-unsolved murder. While I aim to avoid political intrusion, I feel compelled to humbly request an audience with the Argent Mirror to voice concern on behalf of Kasendra's people regarding the deep need for closure, which unfortunately has not been quelled with her burial. The loss of this young woman, who was a friend and inspiration of mine, has shaken both our community and those across the DragonSpine. Like many, I seek justice and closure for her family and her people, and deeply wish to restore the balance in our fair city. While I have faith in the judicial process of our esteemed house, I and others recently received word that subjects here and abroad are dissatisfied with the pace of the formal inquest. Continued peaceful relations between our nations are of the utmost importance. Their people have asked that this case be resolved swiftly and with transparency to ensure that justice is served. I seek only to share their voices and words with the Peacock Court so that Kasendra's people do not feel forgotten or dismissed. Humbly yours, Lady Ysaeril Illistim Former handmaiden to the Argent Mirror Curator of Caeruil Atelier and City School of Art A reply instead from Lady Ardtin Greyvael of House Illistim dated 04/14/5123 Lady Ysaeril Illistim Caeruil Atelier Olaesta 14, 5123 Lady Ysaeril, I have been privy to your letter concerning the state of this inquisition, and agree with your assessment of the situation. So many here in the city are dissatisfied with the speed and results of this investigation. The loss of both women is a terrible tragedy, and many feel it deeply. The frustrations of those from Aldora are warranted, especially with the way this entire matter has been handled. All parties need their time to mourn, but deserve justice and closure, especially if they are to heal and move on while preserving the peace and friendship House Illistim and the Empire have worked hard to foster. I plan to discuss this situation further with the Argent Mirror. Your concerns and candor are appreciated and heard. Lady Ardtin Greyvael Illistim Ta'Illistim Keep Application for the Mirror's Handmaidens, 5119 This is a creative work set in the world of Elanthia, attributed to its original author(s). It does not necessarily represent the official lore of GemStone IV. Title: Letter to the Lord Seneschal of House Illistim dated 12/26/5119 Author: Ysaeril (prime) Eorgaen 26, 5119 Dear Lord Seneschal, If it may please you, please accept this application for handmaiden to The Argent Mirror. I herald from Ta'Illistim as a great granddaughter of First Master of Lore Meachreasim Illistim, however my mother, Lady Evelise Illistim, is Ardenai by birth. Thus this letter serves as my request for fostership under The Argent Mirror. 1) Please list your name, including both your first name and last name. Ysaeril Illistim. I have no other last name, same as my forefathers. 2) Have you received any honorifics from an elven house, such as jewels or titles? If so, please explain the circumstances surrounding their receipt. Yes, a violet-rimmed diamond, from the Argent Mirror for arts fundraising efforts to benefit the refugees of Talador. 3) What instrument do you play and how would you assess your general aptitude with music? I play the flute poorly, if I may be so humble. As much as I would like to think I am artistically inclined, the aural realm is not my strong point. 4) What historical event do you view as the most important in elven history? Please explain your choice in no more than 200 words. The Battle of ShadowGuard during the Undead War was the most important in elven history. Despite Vaalorian losses, we forged bonds across Elanthia, uniting elves, halflings, giantmen, and humans alike. Without that sacrifice, there would be no more elven houses to speak of. The Undead War would have been the end of us all. My late father, Lord Mechryn Illistim, died at ShadowGuard during the Second Griffin Sword War in 5102. He was an expeditionary studying the architectural splendor of the basilica ruins behind the Illistim army working to vanquish the Undead. This time, as before, houses rose up in support of one another to overthrow the dark threat. As such, this location is near and dear to my heart, and I understand how integral a fixture it is in our history. 5) What do you view as the most pressing issue facing the elven houses today? Please explain your choice in no more than 200 words. Although I take pride in the accomplishments of House Illistim as my home despite my lineage, I do agree with the opportunity presented at the Valley of Gold to foster inclusiveness between our House and those of other races, notably the Turamzzyrian Empire. The peace agreement at Valley of Gold should be seen as a guiding light and inspiration for all Elven houses - and other races as well. To that end, I believe the arts can promote dialog between races as stimulate conversation which can lead to acceptance and mutual understanding. As Curator of a local arts guild, we have seen interest in membership spanning all races, and I welcome the partnership of all. As a handmaiden, I would work to expand on the relational breath that fine art and arts education affords and spread message of peace through visual literacy. 6) Include either two paintings, two drawings or one piece of poetry. The subjects of your portfolio materials should reflect your own interests and personality. a broad haon-framed painting The painting is broadly horizontal and depicts a snow-covered, barren field in the foreground. Rolls of hay dot the landscape, each rendered in swift, circular hatches of washed-out umber and shadowed in contrasting blue-grey. The bales yield visual sight lines far into the distance, where foothills turn to mountains. Nestled between the ridges of the reach, a pair of arches peek up between the sapphire domes of a large, shining city. Title: Winter Comes to Sylvarraend a wide haon-framed painting The painting is wider than it is tall, with rich hues bathing the canvas of this festive painting. Several slender elven hands control large, colorful kites flying high above a healthy crop of corn, each plant tipped with a golden tassel. Tiny black Vs suggestive of birds dot the pale cerulean sky between white and grey scumbled clouds. Near the base of the image, a small red fox skirts the edge of the field, clearly intent on escaping notice. Title: Summer Comes to Sylvarraend Attachment: Please refer to my curriculum vitae, attached to this application.