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{{ICE}}
'''Kestrel Etrevion''' was "Lord of the West Country", serving as the viceroy of a [https://en.wikipedia.org/wiki/Fief fiefdom] carved out along the shores of [[Darkstone Bay]]. The borders of the fiefdom were the [[Coastal Cliffs]] in the west, extending east without ever going further north than [[The Graveyard]] which was built later. The "West Country" was usurped by his elder brother, [[Bandur Etrevion]], who was serving as regent in his absence. Kestrel had built a fleet of war ships he used to plunder the rest of the Bay region, and would have had to sail very far from home in order to avoid assaulting the territories of [[Lorgalis|Lorgalis the White]]. Though essentially acting as corsairs, they also tamed the seas, slaughtering the [[bellacorn]]. [[The Dark Path]] possibly had the support of Lorgalis and the [[Black Hel|daughter]] of [[Kadaena]].


'''Kestrel Etrevion''' ruled a fiefdom carved out of the western rim of [[Darkstone Bay|Claedesbrim Bay]] during the early years of the [[Wars of Dominion]] in the [[Second Era]] of the [[Shadow World]] history. He rose up the ranks of the "warriors of the Unlife" quickly, secretly masterminded by his brother [[Bandur Etrevion]]. This was most likely in the service of [[Lorgalis]] in context but it is never stated. He was awarded the fiefdom after a particularly hard fought campaign that would have failed without the sorcerous intervention of his brother. In time he became restless and built a fleet of ships to conduct raids on other settlements.
Whether Kestrel was serving Lorgalis or someone else is not clear, as there are symbolic references to a black sea drake in areas associated with him. This would represent either the [[The Iron Wind#Six Orders|Cult of the Sea Drake]], which was an aspect of Lorgalis' forces of the [[Unlife]], or the Dragonlord Ulya Shek who would have been a rival conqueror in the [[Wars of Dominion]]. It is much more likely he was a viceroy of Lorgalis, retired from his warlord status after a failed invasion of [[Kharuugh|Saralis]], but successful enough to hold the windward edge of the Bay. These would have significantly different implications for the political context of what happened following his death.


The lands became chaotic with sinister cults rising up in the power vacuum, until eventually Bandur usurped the throne and established a theocracy called [[The Dark Path]]. When Kestrel returned they had a heated argument, until there was an invasion on the northern border. When this was put down with a flight of demons, they continued arguing until Bandur ripped his brother's soul out in a fit of possession.
===Heirs===

Kestrel was known to have sons who would have been his heirs, whom his brother gave the epitaph "princes all" who died attempting to reclaim their "ancestral land." Neither princes, nor with ancestral lands, this mocking eulogy seems to imply they attempted to reacquire the fiefdom with force. It is [[Darkstone Castle (saved post)|impossible]] to know now for certain. The original [[The History of Darkstone Castle|Claedesbrim Castle]] which was within their territory was clearly sieged, but it was heavily modified by [[Estrion]] such that no archaeological evidence remains. There was an underground stronghold along the Coastal Cliffs housing a cult of Klysus ([[Luukos]]) as well, apparently owned by at least one royal, which would have been purged with foul hordes and extreme violence in the rise of the [[The Dark Path|theocracy]]. Klysus was a patron of Lorgalis.

If the castle was actually unrelated to the Etrevion family, which is unlikely given that it shared some of the same creatures which were necessarily the work of a powerful necromancer, their epitaph could be interpreted with purely religious meaning. They worshipped a death god and were killed in the purge of the cult, and so joined their ancestors in the ground. Obelisks were made as symbolic conduits for sending souls upward to the sun god, which here would be Klysus, as well as a magical warding to protect the dead. Bandur constructed their obelisk out of [[Orhan marble]] (Liaboan marble) which repels low level undead, and would be implying the [[Flows of essence#River of Life|River of Life]] leading to Eissa ([[Lorminstra]]), sister of Reann ([[Ronan]]) the god of night who crusades against the [[Unlife]] (but who were ''not'' originally siblings of their [[Phoen|sun god]].)

It was thus mocking them all on multiple levels simultaneously. Their spirits are trapped in the section of the necropolis that symbolizes the other side of the Gates of Oblivion, indicated by their disquieted state, which Bandur represents as an everlasting prison of eternal hopelessness. The daughters of Kestrel were clearly spared in the underground stronghold, and became the source of the much debased bloodline that used the graveyard over the millennia. These graves are located near the bog where Kestrel was killed, which was made as a muck bed for trespassers cursed as ghouls.

===Demise===
Kestrel was slain by his brother in a heated argument over these issues, supposedly with a [[Absolution Pure|Spell of Absolution Pure]], but possibly a darker absolution which would better account for the guilt and torment of Bandur. He was interred in a possibly fake funerary barge in a (capsized) warship shaped burial mound covered with toxic [[salorisa]] flowers, but he may actually be the warped skeleton used for the underground throne room of [[The Graveyard]]. It is consistent with a soul destroying curse called Kadaena's Kiss, possibly combined with an adjacent one on the list that liquifies the skeleton.

His epitaphs were subtly mocking as well, emphasizing his lesser rule, and playing off the word "[[Purgatory|deeds]]" to imply his older brother was the true sovereign. Bandur supposedly told his high priests that Kestrel was waiting for him, and that they should not follow if they value their souls. It is the "Under Barrow" where [http://www.brown.edu/Departments/Italian_Studies/LD/numbers/04/forni.html sins of incontinence] give way to "mad bestiality" and ultimately malice.

It was a [http://www.touregypt.net/featurestories/offering.htm sacrificial procession] ultimately leading down to the [[Bandur Etrevion#Behind_The_Scenes|Ice Shrine]], which was not originally accessible from the surface of The Graveyard. Instead of sacrifices for deeds to preserve life from intercession by [[Lorminstra|Death]], who would otherwise not grant it, these were sacrifices of life to sustain the ascension of the [[Ordainer|Death Watcher]] beyond the [[pales]]. It might be symbolic of "[[The Dark Path|the dark path]]" in [[Purgatory]]. The upper level of the necropolis, in contrast, is all deception. The fiefdom was probably not actually called "the West Country." Lorgalis was attempting to conquer their ancestral homeland in eastern [[Jaiman]], and the symbolic meaning of west in the Graveyard is death. It is best interpreted as a dark joke about Kestrel's failure as a ruler. His burial mound is oriented eastward as "defying Death."

==Behind The Scenes==
The possibly false [http://www.crystalinks.com/egyptbarge.html funerary barge] of Kestrel Etrevion, symbolically related to the [[Orhan marble|sacrifice]] of the serpent and sun god Klysus (i.e. his sons), implying his soul continued to exist after death but not where it was intended.


===Burial Mound===
Kestrel Etrevion is seemingly in a Viking style boat burial inside a huge warship shaped passage mound. [[The Graveyard]] is "backwards" on many points, and the sarcophagus of his brother Bandur is a fake tomb, so there are high odds this is not Kestrel. Kestrel may be the throne of human bones under the burial mound. Kestrel's sons were killed in what was likely a battle to take the throne back from Bandur.
<pre{{log2}}>
<pre{{log2}}>
[Graveyard, Burial Mound]
[Graveyard, Burial Mound]
Line 37: Line 23:


>l corpse
>l corpse
The corpse wears a deathmask of beaten silver and gold, the facial features grim, determined and cruel, beneath a jewel-encrusted [http://en.wikipedia.org/wiki/Coronet coronet]. Swathed in a plain burial shroud with arms crossed over his chest, the warrior-king still inspires awe and dread.
The corpse wears a deathmask of beaten silver and gold, the facial features grim, determined and cruel, beneath a jewel-encrusted coronet. Swathed in a plain burial shroud with arms crossed over his chest, the warrior-king still inspires awe and dread.
</pre>
</pre>
These epitaphs are subtle mockery. In the adjacent room at the "prow" of the warship, his heroic deeds are illustrated as having been orchestrated by Bandur.
<pre{{log2|margin-right=350px}}>
[Graveyard, Burial Mound]
The room is triangular, the "prow" of the shiplike structure. On the dirt walls are faded remains of strange murals. The line drawings all have an oppressive and ominous sameness about them, even though they depict different scenes. You approach one wall to get a closer look, stooping down as the elevation of the roof drops sharply.
Obvious exits: southwest, northwest


>look mural
The [[House of Kestrel]] in the [[Turamzzyrian Empire]], ironically, is the family that rules the [[Hall of Mages]]. The [[Royal Magister]] has always been Kestrel.
The disquieting murals depict a series of episodes in the life of a great warrior. Painted in earthtones and mineral colors of ochre, yellow, umbre, turquoise, green and charcoal, the panels sketch epic sea and land battles, all featuring a powerful, striking figure leading the frays. Hovering by his side, in each scene, is a shadowy dark figure, who appears to be floating just above the ground or water, the better to observe and influence the course of the pitched battles.
There appears to be something written on it.

>read mural
In the Common language, it reads:
The Deeds of Kestrel Etrevion, Lord of the West Country.
</pre>


==Behind the Scenes==
==References==
"[[The Legend of the Necropolis of Etrevion]]" is probably the first story that was specific to GemStone III. [[The Graveyard]] is one of the very oldest areas. [[Research:The Graveyard]] argues that the story of Kestrel and Bandur are likely based on Osiris and Set, and that the Graveyard may be based on a motif of fallen or dead gods of the underworld. The [[House of Kestrel]] in the [[Turamzzyrian Empire]] in the [[The Official History of Elanthia|modern history]], ironically, is the family that rules the [[Hall of Mages]]. The [[Royal Magister]] has always been a Kestrel. There is no relation between them and Kestrel Etrevion. The Etrevion story is archaic history.
*[[The Legend of the Necropolis of Etrevion]]
*[[The Dark Path (essay)]]


[[Category:ICE Age]]
[[Category:ICE Age]]

Latest revision as of 23:04, 19 May 2020

Warning: This page concerns archaic world setting information from the I.C.E. Age of GemStone III. It is not canon in contemporary GemStone IV, nor is it canonical for Shadow World as the details may be specific to GemStone III. It is only historical context for certain very old parts of the game and these things should not be mixed.

Kestrel Etrevion ruled a fiefdom carved out of the western rim of Claedesbrim Bay during the early years of the Wars of Dominion in the Second Era of the Shadow World history. He rose up the ranks of the "warriors of the Unlife" quickly, secretly masterminded by his brother Bandur Etrevion. This was most likely in the service of Lorgalis in context but it is never stated. He was awarded the fiefdom after a particularly hard fought campaign that would have failed without the sorcerous intervention of his brother. In time he became restless and built a fleet of ships to conduct raids on other settlements.

The lands became chaotic with sinister cults rising up in the power vacuum, until eventually Bandur usurped the throne and established a theocracy called The Dark Path. When Kestrel returned they had a heated argument, until there was an invasion on the northern border. When this was put down with a flight of demons, they continued arguing until Bandur ripped his brother's soul out in a fit of possession.

Burial Mound

Kestrel Etrevion is seemingly in a Viking style boat burial inside a huge warship shaped passage mound. The Graveyard is "backwards" on many points, and the sarcophagus of his brother Bandur is a fake tomb, so there are high odds this is not Kestrel. Kestrel may be the throne of human bones under the burial mound. Kestrel's sons were killed in what was likely a battle to take the throne back from Bandur.

[Graveyard, Burial Mound]
This is the burial chamber of a great warrior-king.  There are empty chests made of precious woods, now mildewed and rotten with fittings of beaten gold and silver.  Rusted weapons are scattered about.  A wooden coffin, carved in the shape of a proud warship with a dragon prow, lies at the far side of the circular room.
Obvious exits: west, southeast.

>l coffin
The coffin was pried open long ago and damaged in the process.  The hinges are now so deformed that it cannot be shut.  The wooden casket is carved with broad, primitive strokes and covered with faded traces of paint and gilt.  A silver plaque is affixed to the casket.

>read plaque
It reads:
Our Lord and Liege, Ruler of the West Country--Never at peace while he lived, and yet to find peace beyond the grave.

>l in coff
In the wooden coffin you see a kingly corpse.

>l corpse
The corpse wears a deathmask of beaten silver and gold, the facial features grim, determined and cruel, beneath a jewel-encrusted coronet.  Swathed in a plain burial shroud with arms crossed over his chest, the warrior-king still inspires awe and dread.

These epitaphs are subtle mockery. In the adjacent room at the "prow" of the warship, his heroic deeds are illustrated as having been orchestrated by Bandur.

[Graveyard, Burial Mound]
The room is triangular, the "prow" of the shiplike structure. On the dirt walls are faded remains of strange murals. The line drawings all have an oppressive and ominous sameness about them, even though they depict different scenes. You approach one wall to get a closer look, stooping down as the elevation of the roof drops sharply.
Obvious exits: southwest, northwest

>look mural
The disquieting murals depict a series of episodes in the life of a great warrior. Painted in earthtones and mineral colors of ochre, yellow, umbre, turquoise, green and charcoal, the panels sketch epic sea and land battles, all featuring a powerful, striking figure leading the frays. Hovering by his side, in each scene, is a shadowy dark figure, who appears to be floating just above the ground or water, the better to observe and influence the course of the pitched battles.
There appears to be something written on it.

>read mural
In the Common language, it reads:
The Deeds of Kestrel Etrevion, Lord of the West Country.

Behind the Scenes

"The Legend of the Necropolis of Etrevion" is probably the first story that was specific to GemStone III. The Graveyard is one of the very oldest areas. Research:The Graveyard argues that the story of Kestrel and Bandur are likely based on Osiris and Set, and that the Graveyard may be based on a motif of fallen or dead gods of the underworld. The House of Kestrel in the Turamzzyrian Empire in the modern history, ironically, is the family that rules the Hall of Mages. The Royal Magister has always been a Kestrel. There is no relation between them and Kestrel Etrevion. The Etrevion story is archaic history.