Elaejia (prime): Difference between revisions

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| <strong>Sought...</strong>
| <strong>Sought...&nbsp;</strong>
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| After the court session, Joss left with Lady Orelwen, Aendir would likely soon follow Lady Rohese, and Ela was left again, alone. Alone after the unsatisfying drama of the poisoners, brought for nothing from Mist Harbor, even with a mountain of circumstantial evidence and the testimonies of respected Elves.
| After the court session, Joss left with Lady Orelwen, Aendir would likely soon follow Lady Rohese, and Ela was left again, alone. Alone after the unsatisfying drama of the poisoners, brought for nothing from Mist Harbor, even with a mountain of circumstantial evidence and the testimonies of respected Elves.
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{| role="presentation" class="wikitable mw-collapsible mw-collapsed"
| <strong>Seething...</strong>
| <strong>Seething...&nbsp;</strong>
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| <strong>Slough...</strong>
| <strong>Slough...&nbsp;</strong>
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| Routine. Starting every day with the same routine was important. A cup or two of strong black coffee, a glance through her ledgers and calendar, perhaps a few moments with a familiar book. Then a long hot bath, a few moments spent at the mirror with a brush, and at the wardrobe with a critical eye. These little rituals were important to center oneself and prepare for the day ahead.
| Routine. Starting every day with the same routine was important. A cup or two of strong black coffee, a glance through her ledgers and calendar, perhaps a few moments with a familiar book. Then a long hot bath, a few moments spent at the mirror with a brush, and at the wardrobe with a critical eye. These little rituals were important to center oneself and prepare for the day ahead.
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"Wilver, draw the bath," she whispered tonelessly into the wind, knowing it would carry her request to his ear. It was time to start the day.
"Wilver, draw the bath," she whispered tonelessly into the wind, knowing it would carry her request to his ear. It was time to start the day.

----
----

Some days later, her morning review of her calendar revealed that today she had agreed to travel west with Daevian. They had discussed this trip excitedly some time ago, to trek back to the uncanny Broken Lands and revisit the flora there to study whether its properties might be of interest or use.
Some days later, her morning review of her calendar revealed that today she had agreed to travel west with Daevian. They had discussed this trip excitedly some time ago, to trek back to the uncanny Broken Lands and revisit the flora there to study whether its properties might be of interest or use.


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Rauka regarded her with one red-ringed eye for a long moment, before leaping into the sky with heavy beats of his powerful wings.
Rauka regarded her with one red-ringed eye for a long moment, before leaping into the sky with heavy beats of his powerful wings.
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{| role="presentation" class="wikitable mw-collapsible mw-collapsed"
| <strong>Decipherment&nbsp;</strong>
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| Elaejia held her breath as she opened the letter from Rohese and scanned its contents.

''Ah'', she thought, ''...Right'', not really sure what she had been expecting, and likewise uncertain what to feel. The last two weeks (fifteen days, to be exact), she had felt as though borne upon a cresting wave: a quiet roar filled her ears, the very air was effervescent around her, every breath went on forever, and she waited for the bottom to fall from beneath her.

She shook her head slightly, biting her lip as she slipped through the archway, nodding to the Halfling who had entered the airship terminus behind her. ''No, there will be no tumbling from this height'', she told herself, ''The wind has finally come to fill my sail– our sails.''

She had worked so hard to find her center, to finally display the equanimity and poise that had eluded her for centuries. She had actually thought she'd found it, but looking back now she almost laughed at her own folly. No, where she had been was not her center at all, but a miserable corner of her soul where she had been building a wall. She wondered how long it would have taken for her to truly complete it, to mortar every crack and crevice, until even her humiliating rages could not break through. Until she was as cold and unresponsive as stone, and just as lifeless.

''As stone...'' she mused, suddenly reminded of her studio and the maddening, half-finished pieces there. Lifeless. A sudden resolve filled her and she turned toward the villa, striding quickly through the chilly streets, pulling the wolverine fur of her collar close for warmth.

Opening the door she entered quietly out of long habit, but her impatience soon got the better of her and she bounded up the stairs, the heels of her boots echoing in the darkness. Heedless of the sound, she rushed into her studio and stopped in the doorway: here were her unfinished works - costly marble, carefully chiseled alabaster, limestone swathed in living mosses selected from here to Ta'Loenthra - all of them as lifeless as she had been while carving them. ''Is it so surprising? The only pieces you’ve finished since coming here share a single thing in common'', she thought ruefully. Through the window, she glimpsed Rauka wheeling closer to his now-customary perch on the sill, and she felt the weight of his attention settle at the back of her mind.

She strode forward, placing her hands on the closest piece - and shoved it to the tiled floor.

It did not shatter as satisfyingly as she had envisioned, and cracked the tiles quite soundly, but did break into two pieces, which was good enough. She whirled and shoved another to its death, the sound reverberating through the villa (this one did shatter rather beautifully, though it took another tile with it). Distantly, she heard stirrings in the dark villa, footsteps beginning to hurry toward her.

Dashing to the last - the first, indeed, the one she had been working on since she had built the studio here - she put her hands gently to the limestone's moss-enshrouded surface, almost caressing it, and -

&nbsp;&nbsp;pushed

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;it.

The piece, an elven visage gazing outward with a defiant expression, plummeted - and shattered nearly to dust upon the tiles.

Still breathing hard, Elaejia turned to the tall, beloved shadow just now filling the doorway, wearing a smile like a revelation.

Revision as of 22:38, 16 December 2021

Elaejia Silithyr
Race Elf
Culture Loenthra
Class Ranger
Profession horticulturalist, aristocrat, artist
Religion atheist (mostly)
Affiliation(s) Ilyan Syndicate, House Sylvanfair
Demeanor formal, polite
Flaw hot-tempered, standoffish
Greatest Strength pragmatic, incisive
Greatest Weakness repressed, avoidant
Hobbies sculpting, weaving, embroidery/needlepoint
Dislikes sycophants
Loyalties family
Best Friend none
Spouse none
Loved One family

Elaejia Silithyr is an elf originally from Ta'Loenthra. Daughter of Aeric and Irinjia Silithyr, she was born on the 14th of Fashanos, 4793. She was a bookish and introverted youth, but was encouraged by her socialite mother to come to enjoy society life. Following a disreputable incident, the Silithyr family retreated to their country estate in 5114. After spending several years closeted at the estate, she departed with her faithful Winedotter, Wilver, to join society circles outside of Ta'Loenthra, which is not currently disposed to accept Silithyrs.

Elaejia is an accomplished sculptor and calligrapher, and pursues varied related artistic endeavors. She occasionally offers private tutoring in the arts to students who show promise. She also maintains a botanical conservatory in the Silithyr Villa and studies magical dendrology and sylviculture.

She currently resides with her brother, Jossarian, and her cousin Aendir in Ta'Illistim.

Appearance

You see Lady Elaejia Silithyr Loenthra the Aristocrat.
She appears to be an Elf.
She is moderately tall and has a muscled, but soft physique. She appears to have come of age. She has subtly tilted cobalt-violet eyes and rose-tinted fair skin. She has very long, silky caramel-brushed blonde hair pulled back from the temples into twinned fishtail braids and bound in a low chignon. She has a thin-boned, gracefully angular countenance, tapering to a softly pointed chin.


Crest

Within a golden unified frame, a silver harp is set on a dark amethyst field. It is above a threaded needle piercing a columbine bloom. On the upper left, a slender stalk of purple gladiolus serves as the flourish, and flanking the harp to the lower left is a needlepoint pillow pierced by a sleek golden needle; to the right, a mosaic death mask.


Artwork

Elaejia took up textile artwork in her time spent at the Silithyr country estate. She also sculpts in stone in her spare time, but unfortunately her last piece was lost to Western highwaymen on its way to her first exhibition outside Ta'Loenthra in 5119, the Cairnfang Manor Grand Art Exhibit. In early 5020, the piece was recovered with the help of her cousin Aendir and was resubmitted to the same gallery exhibition, albeit via a more heavily guarded caravan:

  • "Talador Will Rise" -- by Elaejia and Aendir Silithyr
an on pointe elven maiden statuette raising a squalling human child - Garbed in airy, layered fabrics, the maiden displays flowing, gold-shot marble hair and a peacock feather pendant. With a look of satisfaction, she holds a human child, its face contorted in angry tears. She holds the toddler upward with implicit tenderness while he twists within her grasp. His eyes are inset with blue shimmarglin sapphires, the glint of the gem giving the illusion of tears. Fallen stones carved with illegible elven script comprise the base, her tiptoed posture heedless.

In the same exhibition in 5121, Elaejia and her cousin again cooperated on a submission, one that hearkens back to the culture of Ta'Loenthra. An example of a submission to the Chelboa Regatta, hosted every three years by the naval academy of the same name based in Ta'Loenthra. Participants in regatta, which occurs in the canals that criss-cross the city, ostensibly compete for coveted engineering and shipwrighting educations within the private academy, however it is also not uncommon for particularly beautiful pieces to result in invitations to several art academies of Ta'Loenthra as well. The regatta itself is a very popular affair, drawing large crowds to the bridges and spires of the city to cheer on their favored young builders.

  • "Canal Hopper" -- by Elaejia and Aendir Silithyr
a double-hulled lacecut cypress faering - Large enough for one or two children, the two layers of this small vessel's hull display careful attention to each detail. The grey-washed outer hull is a study in delicate laceworking, a motif of water lilies making use of more negative space than actual cypress wood. The lilac-tinted inner hull is stippled in pointille gold that echo the pattern, glinting in the ambient light. A pair of benches span the interior, and two gilt oar-rests rise from the gunwhales, carved in the shape of open-mouthed toads.

Vignettes