Naamit

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Naamit DMVMD-Braggiani
Race Giantman
Class Harbinger
Profession Bard
Religion Order of Mularos, Cult of Harith
Affiliation(s) Member of Silvergate Inn, Order of the Shadow, Hand of the Arkati, Caeruil Atelier
In-a-Word Naamit rhymes with Vomit
Disposition Peevish and impulsive
Demeanor Reserved
Flaw several
Habits shifting weight from one hip to another
Hobbies loresinging, writing religious hymns, collecting whips, painting and drawing
Likes whips, tea, blood
Dislikes roses, Elven houses of Illistim and Vaalor

Naamit DMVMD-Braggiani (formerly DMonica) is a giantman bard and devout follower of Mularos. She resides at an estate outside the elven city of Ta'Illistim. She is an avid collector of whips and among her extensive collection, Holy Scourge is the most famous. She took the last name Braggiani in deference to apparent human ancestry in her bloodline, which she discovered after obtaining the legendary weapon.

Described by some as an iron fist in a silken glove, Naamit is both charismatic and ruthless. She has a particular dislike for the smell of roses and if left long enough, the scent will drive her into a maddened rage. She is keenly interested in learning secrets so Loresinging is a natural fit for her. Naamit does not, however, sing for pleasure or audience.

Naamit is a Master Painter.

History

Rumored to have been born on Eorgaen 12, 5061, Naamit took up residence in Wehnimer's Landing in 5096. She was married to Lord Tabalt Valkiryan, a dwarven warrior, until his unexpected death following a lucrative business deal in the following year. In the summer of 5098, she married Lord Reveko Mwani, a giantman ranger, to solidify a business venture, however he vanished under questionable circumstances sometime thereafter. She moved to Ta'Illistim in 5101, but still owns property in Wehnimer's Landing. Naamit was given the mark of Mularos in the form of a scar upon her neck on 23 Charlatos, 5102, presumably by the Painlord Eryael just prior to his arrival to Ta'Illistim. She fought on the side of the Dark Alliance during the Griffin Sword War and grew close to Harith Caerines, the self-ascribed Whip of Mularos. Harith appointed Naamit as proxy Whip, in the event unfortunate circumstances befell her, which they eventually did. Naamit rescued Harith's soul (albeit temporarily) from the Pale in 5103, but was unable to maintain control of Ta'Illistim in Harith's stead. She also formed a close friendship with Ysharra, and their affinity persists beyond the pain of time.

Naamit previously led a cult known as the Harem Dzosch; the group faded into obscurity upon her disappearance sometime between 5104 and 5106.

Naamit returned to the Elven Nations in 5116 after a decade-long journey of searching for any possible remnant of her former mentor, Harith. She took up residence at an estate outside the elven city of Ta'Illistim and restarted a small, but rewarding private business there. She was officially recognized as a Master Painter in Ivastaen, 5117, and granted Grand Lady status in Lumnea of the same year. Naamit was briefly bonded to Heartfire Durden, a giantman guardian, following a bloodbath in the Duskruin Arena trials of Phoenatos, 5117. In the year 5118, Naamit acquired a piece of black ora shaped curiously like the hilt of her whip; the antithetical artifact turned her neck to ruin, rendering her singing voice to sound like the piercing wail of a banshee. Storms are said to precede her arrival ever since.

On Lumnea 15, 5119, Naamit confronted and killed the Fallen Meek named Nazhor, after solving a series of complex puzzles meant to shield his location. Whether he stays dead is yet to be seen as rumors swirl that his demons will resurrect him.

Appearance

It is difficult to get a good look at Naamit due to the number of mirror images of her nearby.
You see Mistress Naamit DMVMD-Braggiani the Harbinger of the Harrows.
She appears to be a Giantman.
She is shorter than average. She appears to be youthful. She has piercing vibrant green eyes and pale, alabaster skin. She has thick locks of long, glossy black hair flowing down her back beneath the drape of a sparkling black lace mantilla. She has an angular face, a prominent nose and a fleshy, muscular build with generously proportioned hips. She has a myriad of thin chain-shaped scars running across her exposed flesh.
She has a deep black cuff of finely polished glaes in the middle of her nose, a deep black ring of finely polished glaes in her lip, a faint scar on her neck, some cross-like blackwork extending from the neck downward past her collarbone, and a tattoo of a crimson heart pierced with a silver dagger on her chest.
She is holding a barbed white ora whip with a cross-like handle in her right hand.
She is wearing a writhing black ora cross, a sable lambswool cloak trimmed with ebon-tipped ermine tails, a black iron symbol wrapped in white leather and embossed with a blood-red heart, a firm hourglass girdle of black onyx samite over a lustrous cloth-of-eahnor gown awash in shadowy patination, and some sanguine velvet chopines lofted on scarred ebonwood heels.

Publications and Assorted Stories

Painting

By way of a painting easel.