Greater vruul
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The greater vruul has tough, leathery hide, as black as midnight. Bat-like wings sprout from its back, but they do not look large or strong enough to support its weight in flight. The vruul's claws are long, sharp and appear to be stained with the blood of many victims. Its eyes are eerie, solid green orbs that seem to glow with an inner power.
Hunting strategies
The greater vruul build up without degenerating in the chapel and summoning chamber of the Sheruvian monastery. They are behind the locked doors. There is no efficient way to get around these doors without disarming the traps. It is normal to enter these rooms and encounter a swarm of dozens of greater vruul simultaneously because there are rarely hunters.
Vruul are immune to heat. They absorb minor elemental spells. This immunity makes Elemental Wave (410) useless for disabling the swarm. Their Interference (212) spell has a -30 TD pushdown and imposes a -15 TD penalty.
Other information
The summoning chamber has a number of obscure mechanics that unfortunately have been turned off for many years. Contrary to the implication of "summoning", the vruul are not demonic. They are not extra-planar creatures.
The vruul are undead constructs, similar to soul golems. They are unholy and partially anti-magical.
- Messaging
A greater vruul growls an arcane phrase. A low evil growl builds deep in the greater vruul's throat. A greater vruul looks around with a baleful glare. A greater vruul sniffs at the air. A greater vruul gestures mystically! (defensive spell cast)
Behind The Scenes
These larger versions of the vruul have the same appearance as the lesser vruul, including the eyes as "solid green orbs", which is related to the obsolete gods lore. In the I.C.E. Age and original post-I.C.E. documentation Marlu's appearance closely resembled the vruul: "A hideous demonlike creature, he is the master of the vruul. He has black skin, leathery wings, large luminous green eyes and large, red claws." In the more modern lore of Elanthia his relationship to the vruul is implicit in his crypt delving. There were also "decaying vruul" invasion creatures on Mount Aenatumgana when the Drake's Shrine was opened, which if consistent with the original lore, likely implies they were very ancient vruul long outside their urns.
The inscription on the Dark Shrine is a complex play on words. The phrase "Marlu lyxatis kort" contains several layers of meaning, involving different language rules of Iruaric. "-is" as a verb modifier makes the meaning into "one who is the act of causing dread", while "-is" as a noun modification means dread as a place, which would be the malevolent presence that is experienced in the shrine. The language allows for glottalized vowels and pronunciation variations, which means "lyxatis" would also mean "lyxarulis" or "dread seers." In this context it means: "Marlu, Vruul Master" or "Master of the Vruul."
The vruul were originally artificial constructs, called gogor, designed as the dark host of the Empress Kadaena. Andraax wrote a poem in "The Book of Dark Tales" from 1782 Second Era addressing her constructs: The Kaeden, Gogor, and Shards. They all slept through the Interregnum of the Shadow World timeline, awakened by dark powers in later ages. This poem ends with "And watch for the Winds of Fate" which fits possibly coincidentally with the ceiling poem in the crypt of The Graveyard. (There was also the "Visions of Andraax" which established early on an obscure premise of the Lords of Essaence being able to witness the future which helps explain the inscription on the Dark Shrine, which refers to conditions and language forms that would not exist until long after it was written. The poem being a couplet of sleeping death and rebirth, with double meanings in impossibly distant cults, alludes also to "The Call of Cthulhu".) In the source material the "typical" gogor cannot carry off a grown human, but the "lead" gogor are able to do so with effort. They also had poisonous tails. Neither of the vruul have these properties. They had very sensitive smell, which is part of their messaging.
References
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